![]() ![]() Jonze to create a line to be introduced in his stores this week, one that echoes. In honor of the delicate future of Spike Jonze’s Her, we’ve been chatting with the team that helped him realize those not-so-far-off days. Rather, he's interested in alienation (like so many of his filmmaking peers this year), and the role that projection plays in constructing love, desire and identity itself. That muted vision had a visceral appeal for Humberto Leon, a partner in Opening Ceremony, who collaborated with Mr. Unlike " Ted" or " Minority Report," each of which has something in common with "Her," Jonze's film doesn't make the comedic conceit or technology the focus. That sensibility extends to his clever, even ingenious script, in which he builds an utterly convincing interior and exterior world for Theodore and Samantha to inhabit. The slightly futuristic twist in Spike Jonze’s elegantly shot if somewhat twee and coolly antiseptic quasi-comedy Her’’ is that the second woman is a new, hyper-intelligent. Jonze has always possessed a meticulous, curatorially expressive visual sense, and here his talents are particularly sharp: He films Los Angeles in neutral tones of blue and gray, with pops of bright red (including Theodore's shirt) providing startling slashes of contrast. ![]() Jonze, after all, brought similar sensitivity to " Being John Malkovich," " Adaptation" and " Where the Wild Things Are." But "Her" is something special even for this gifted director's idiosyncratic oeuvre. Plot In near-future Los Angeles, Theodore Twombly is a lonely, introverted man who works for a business that has professional writers compose letters for people who are unable to write letters of a personal nature themselves. ![]()
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